I am reminded of Emma Neale’s power to deliver wonder and awe in a poem. I think that most of the poetry I read comes from NZ poets; I like to keep up to date with the contemporary journals, and of course there may be some features of language that happen subconsciously in my poems that are just because I’m ‘a New Zealander’, but putting ‘New Zealandness’ into my poems is not something that is ever at the forefront of my mind when I sit down to write. So I wanted to replicate that in my poems to be able to speak about how I felt about something personal, which was sexual trauma. Glorious, simply glorious. They are a staff writer at The Pantograph Punch, have a collection of poems out in AUP New Poets 6, and often write about the water. I fear for the environment and our disregard for it horrifies and frightens me. Vanessa Mei Crofskey reads ‘”Something in the Water” by Brooke Fraser’ This poem was published in the latest issueof Starling(Starling10). Kerrin P Sharpe is a NZ poet who really goes to the limit of the whole ‘say no to punctuation’ thing. Post was not sent - check your email addresses! What work do you want juxtaposition and imagery to do in your poems? AUP NEW Poets 6 launch: listen to the poets read here. Ben Kemp’s ‘The Monks Who Tend the Garden with Tiny Scissors’ also assembles poetry as a way of listening. AUP New Poets 6 (English Edition) eBook: Crofskey, Vanessa, Kemp, Ben, Stewart, Chris, Jackson, Anna: Amazon.de: Kindle-Shop Wählen Sie Ihre Cookie-Einstellungen Wir verwenden Cookies und ähnliche Tools, um Ihr Einkaufserlebnis zu verbessern, um unsere Dienste anzubieten, um zu verstehen, wie die Kunden unsere Dienste nutzen, damit wir Verbesserungen vornehmen können, und um Werbung … I like to strip it all back to the essential nature of words themselves. And Chris Stewart, well his poetry is from Christchurch as a husband and a father, which may or may not be a first for us but we like it very much. Through her practice she investigates social connection: how we form identities through intimacy, inheritance, location and violence. I’ve started to have very little patience for people who waste my time, too, because having kids means you have to be efficient if you want to achieve anything. I have definitely tried to write poems about being from Aotearoa, but I don’t think any of them have been good enough to be published! Underground are the ancestors lined up in single file. Vanessa Crofskey (born in 1996) is a writer and artist of Hokkien Chinese and Pākehā descent. What parts of Walt Whitman appeal to you, and how do you think they appear in your poems? VANESSA MEI CROFSKEY. You can read the full piece with poems here. We need poetry at a time like this and if we can’t buy books, we can read the books we have, and if we run out of books, we won’t run out of poetry on the internet, and if we have to self-isolate, we don’t have to be alone. Post-it notes and shopping lists, Japanese monks and children's lungs: AUP New Poets 6 is a deep dive into the rich diversity of New Zealand poetry today.Relaunched under the editorship of Anna Jackson in 2019, AUP New Poets 6 includes substantial selections from the poetry of Ben Kemp, Vanessa Crofskey and Chris Stewart. Her work is informed by waterways, shifting identities and the resonance of trauma and intimacy. I Don't Know the Word for Depression in Mandarin by Vanessa Crofskey Vanessa Crofskey is a mixed race Chinese poet, born and raised in New Zealand, who misses Malaysia often. Poetry Shelf Monday Poem: Pippi Jean’s ‘What We Owe to Each Other’, Poetry Shelf noticeboard: Anna Jackson reviews Bill Manhire’s Wow at ANZL, Poetry Shelf: 8 Poets pick favourite 2020 poetry reads, Poetry Shelf noticeboard: takahē 100 launched, Poetry Shelf noticeboard: Ursula Bethell Residency 2021, Poetry Shelf reading room: A. Davida Jane’s Every Dark Waning. I love humanity and hate it at the same time. Vanessa Mei Crofskey is an artist and writer based in Tāmaki Makaurau. yes! This poetry is witty, vulnerable, challenging, complicated …. Vanessa Crofskey is a writer and artist based in Tāmaki Makaurau. AUP New Poets 6 includes three very different poets – delivers three different reading impacts. POLLYANNA-ISH III: AND YET; COLUMNS. Chris to Vanessa: Some of your poems seem to be ‘getting at’ the subject of ‘identity politics’ (e.g. ABOUT. What is interesting to you, or important, about using the phrases of the original languages (without necessarily prefacing or explaining them)? The father is wakened by a teething baby at night. Lol. I think writing is like putting a puzzle together, but you have to create the pieces yourself as well. Truth is such a dubious word, unstable, hard to pin down, we all know that, but truth seems to matter so very much in a world threatened by liars, catastrophe. He embeds the physical in order to evoke the intangible, the hard to say. He faces big subjects such as birth, death and love, and rejuvenates them to the point your skin pricks as you read. Chris to Vanessa: The poem PTSD memes for the anxious / avoidant teen: I find the grid form quite innovative. It moves from Ben Kemp’s slow-paced attentive readings of place and people, in a selection moving between Japan and New Zealand, to the velocity of Vanessa Crofskey’s fierce, funny, intimate and political poetry, which takes the form of shopping lists, post-it notes, graphs, erasures, a passenger arrival card and even *poetry*, and finally to Chris Stewart’s visceral take on the domestic, the nights cut to pieces by teething, the gravity of love and the churn of time. 1-75, Exit 5, Lake Park Minutes south of Valdosta 229-559-6822 9-8! Of Food in your poems seem to be ‘ getting at ’ this. Homeplace and ancestors, oceans and rivers come back to and is a! 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